Being John Malkovich

 
Director Spike Jonze Length
112
    Country
USA
Stars John Cusack Year
1999
  Cameron Diaz Certificate
15
  Catherine Keener    
  John Malkovich    
       
Outline
An unsuccessfully puppeteer (Cussack) discovers a ‘portal’ into the mind of John Malkovich and sets up a business selling 15 minute rides inside the actor’s head.
Reviews

This amazingly original, surreal comedy (Jonze’s first feature) is all the more surprising as it comes from a Hollywood studio. The cast masterfully keep the audience involved in the convoluted plot, while Jonze has shown himself to be one of the most audacious debut directors in recent times.

“A smart, funny, inventive and totally original movie” Cosmo Landesman, Sunday Times.

Nominated for three Academy Awards, inclusing Best Director.

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Screening Notes

At lasts, a movie for anyone who ever wanted to be someone...else.

Craig Schwarts (John Cusack) is nearing the end of his string. A gifted street puppeteer, Craig nonetheless is coming up empty-cupped: New York City has little use, or tolerance, for his special talents. His ten-year marriage to Lotte (Cameran Diaz), a workaholic pet store employee who literally brings her work home with her, had become habitual at best. They have no money, no passion, no escape.

With no other prospects, the nimble-fingered Craig takes a job as an entry-level filing clerk at LesterCorp., a "small" company located on the 71/2th floor of Manhatten's Mertin-Flemmer office building. At his orientation, he meets the beautiful Maxine (Catherine Kenner), and, for Craig, it's obsession as first sight. To him, Maxine is an object just waiting to be affected, a women just waiting to get loved. To Maxine, however, Craig is a no go.

Dejected and rejected, Craig retreats into his office to file. In a moment of exasperation, he slams the drawer, causing a folder to fall behind the cabinet. Upon moving the cabinet, a small boarded-up door is revealed. Prying open the door, Craig uncovers a passageway. Cautiously, he climbs in - and is suddenly sucked through a dark, wet tunnel. There is a flash of bright light, and then, all at once Craig realises that he has discovered a portal that is an all-access path to the unique experience that is John Malkovich! He is being John Mallkovich...

And this is just the beginning.

A Q&A with the stars of Being John Malkovich

 
Questioner I'd like to thank you for agreeing to sit down together to
do this.
John Cusack Our pleasure.
Q Actually, since there are two Johns in the cast, would you mind if I referred to you as Cusack and Malkovich?
JC Not at all.
John Malkovich No
Q Great. You two, Cusack and Malkovich, have worked together before,
in Con Air, right?
JC That's right. After seeing his performance is Making Mr Right, I
knew that John and I would work together someday. I then found out that
John had seen One Crazy Summer, and I think he was moved by my performance
in that as well. So we began to write to each other, and that led to a
long, intricate correspondence - nine and ten-page letters to each other.
Q Is that true?
JM No.
Q So was it really Con Air director Simon West who brought you guys
together?
JC Yeah. He was cooking for both of us at the time he was our saucier
and he wore this nice, but kind of weird, waitressy outfit. He had his hair
up in a nice bun. It worked out rather nicely. He was also our healer,
spiritual teacher and friend.
Q Is that right Malkovich?
JM No.
Q Cameron and Catherine, did you meet each other well before being
cast in Being John Malkovich?
Catherine Kenner Yes, we became friends when Cameron was starring in My
Best Friend's Wedding with my husband, Dermot, but we never had worked with
each other before.
Cameron Diaz Although I've wanted to ever since I met Catherine: she is
the most amazing actress.
Q So, lets talk a little about the film, the characters, and the
production itself. Cusack lets start with you.
JC Shoot
Q You play an out-of-work street puppeteer named Craig.
JC Schwartz. Schwartz, Schwartz, Schwartz, Schwartz, Schwartz.. That's
all I'd like to say about the character.
Q Okay. You look quite different in this film, unlike anything we've
seen before.
JC Yeah, I've done a moustache and a beard before, but never to an
extent of the Craig Schwartz look.
Q Cameron, you look quite different, too, as Lotte, Craig's wife
CD Do you think anyone will notice?
JM No.
Q You all had to endure some pretty harsh conditions during the
filming, both script-related and production-related. Can you tell me about
what you had to undergo to make this movie?
JC Besides sweating profusely? Lets see for me, the hardest part was
probably the back soreness. Spike who, incidentally hates the poor, the
disenfranchised , actors, the Irish, all the races, colours, creeds and
sexes and Charle Kaufmann conceived, and had sets built where tall people
like myself could not comfortably act. I'm 6ft 2, and that damn 7 ½ floor
was only 5ft 3 tall. Of course Spike and Charlie are both short guys they
could walk around just fine, thank you very much. So it was like one of
those military mindsets: "I want to keep my actors uncomfortable, keep then
under my thumb, break them like horses. All that stuff I didn't really
appreciate. Look at me right now: my posture is completely erect. I am a
trained Shakespearean actor, and this is how I would have played Schwartz.
The short sets were just another example of Spike trying to dominate the
film.
CD Cusack and I both pointed the issue out to Charlie. We said "Hey
dude, what's going on here? Everbody's caged in, cramped, nobody can even
stretch. My skirts were so tight I couldn't even take a full step in them.
It was constant confinement. And, I got tied up, bound and gagged, locked
in a cage, hung off the side of a moving school bus, dropped out of the sky
into dirt in the pouring rain. Crazy stuff. It was just nuts what we had
to go through for Spikes "vision".
CK And it's not like he made the stunts any easier for us because we're
women.
CD Right! And weren't we supposed to get hazard pay or something?
CK I don't know. But I have to admit, it was kind of fun. Getting
hurled out of a bus at 35miles an hour, Cameron choking me and all I could
see were cars whizzing by. And there this one stunt that was really
involved. Spike wanted to do it at the beginning on the night shoot. But
we also had to shoot a long emotional scene between Lotte and Maxine in the
rain. Spike said they wouldn't take the whole night on the stunt so there'd
be enough time for us to do the scene. But of course the stunt took nearly
all night- there was only one hour of darkness left, so we had to hurry. We
did one take and then Spike asked me to do something completely different.
So I tried that and he came back again and he said that the first approach
was better. Now there was only enough time for only two more takes before
the sun came up. Spike claims that I said "Get away from me before I push
you down the hill", but I don't remember that part.


Production Notes
Craig Schwartz John Cusack
Lotte Schwartz Cameron Diaz
Maxine Catherine Kenner
John Horatio Malkovich John Malkovich

 

Compiled by Tyneside Cinema

10 Pilgrim Street Newcastle upon Tyne NE1 6QG

With the assistance of Northern Arts.

 

 

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