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Emmet Ray is like a man with a very large dog on a leash. The dog is his talent, and it drags him where it wants to go. There are times in Sweet and Lowdown when Ray, "the second-best jazz guitarist in the world," seems almost like a bystander as his fingers and his instinct create heavenly jazz. When the music stops, he's helpless: He doesn't have a clue when it comes to personal relationships, he has little idea how the world works, and the only way he can recognise true love is by losing it.
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