|
| If you've read anything about this film it is almost certain to centre on the fact that the screen is split into four. The experimental nature has to be congratulated because it does work and isn't at all confusing to follow (although you can't help but think you must have missed something). But beyond the gimmick there are a number of entertaining stories and interesting characters all interacting with each other to great effect. |
|
S.
Brown
|
If you would like to review this film click here.
Screening NotesTime Code was not so much directed as it was conducted, harmonising four distinct story lines into one, similar to a chamber orchestra composition. Few film directors are more suited to such a task than Mike Figgis, who is also a renowned orchestral composer, used to thinking in terms of multiple melody lines and instrumentation. Figgis is also a committed film minimalist – always seeking to find more immediate and purer expressions of cinematic storytelling without the contrivances of editing and effects. He foresees a new era of cinema – precipitated by advances in digital technology – that will be like the punk era in music. That is, stripped down, rule-breaking and totally revitalising.
Internet Links
Official Site - This stylish site features production notes, photos, music from the soundtrack and features on how digital film production made the film possible.
Mike Figgis adaptation of Miss Julie is showing as part of the Literature Through The Lens programme at the 2nd Keswick Film Festival.