F-Rated
Our programme of films featuring the work of female directors has coincided with the development of the F-rating, a new system designed to flag up the significant involvement of women in film, on either side of the camera.
The F-Rating Manifesto
The stories we see on screen influence our lives. We want to hear stories from everyone, not just from one section of society.
We want diversity in filmmaking, both on and off screen.
The F-rating was founded by Holly Tarquini at Bath Film Festival 2014 where we wanted to highlight films which feature prominent women both behind the camera and in front of it.
Every film which ticks yes to the one of the following questions receives the F-rating of approval:
- Does it have a female director?
- Is it written by a woman?
- Is/are there complex female characters on screen who exist in their own right (not simply there to support to the male lead)?
The F stands for feminist.
Feminism is: "The belief that men and women should have equal rights and opportunities." We believe that feminism benefits everyone.
Featuring
Pre-Release Screening
This astonishingly ambitious feature from German writer-director Mascha Schilinski braids together the lives of four generations of girls across the tumult and violence of the German 20th century. Winner of the Jury Prize at Cannes, it is Germany's entry for Best International Feature at the 2026 Oscars.On the river Elbe between Berlin and Hamburg, a family farm sits in a region that saw both world wars and defined Cold War divisions between East and West Germany. We visit with Alma in the early 20th century, Erika in the 1940s, Angelika in the 1980s and Lenka in the present. As time moves both forwards and backwards, each faces her own particular fate.
After Raw at the 2017 Festival and Titane in 2022, Julia Ducournau's latest film will be a talking point for 2026. It features another returnee with Golshifteh Farahani playing Alpha's mother, a role far from her laid-back appearance in Paterson.
Alpha (Mélissa Boros), a rebellious 13-year-old, lives with her single mom, a doctor with an at-home practice amid the context of a new blood-borne disease. When Alpha returns from a party, drunk, her mother discovers a new, amateur tattoo on her daughter's arm. Worried she might have been infected by the same disease, their world is suddenly turned upside down, as fear invades their family unit, triggering a chain reaction that unleashes repressed trauma, memory and dread.
Sundance Film Festival 2025, Winner Waldo Salt Screenwriting Award; Women Film Critics Circle Awards 2025, Winner Adrienne Shelly Award; winner of 22 other international awards; Sight and Sound top 10 of 2025.
Eva Victor's story highlights Agnes's (Victor) journey after a traumatic experience as life moves on. Agnes also tries to move on, but the trauma doesn't let her while she really is unable to take legal course of action. The story focuses on her emotional journey as she acknowledges the bad thing that happened to her and tries hard to live with it. The world is such that bad things happen and it is never easy being a woman.
Closing Film
Jodie Foster Retrospective
Pre-Release Screening
Paris-based psychiatrist Lilian Steiner enjoys a comfortable ex-pat existence and is stunned at the news that a client, Paula, has killed herself. Encounters with the grieving husband and daughter lead Lilian to suspect foul play, and her obsessive nature kicks in.
"Along with hilariously witty touches, there are fascinating currents of impulsiveness, avoidance and repression that run right through this story. This creates vividly flawed characters who are easy to identify with. To understand what happened to Paula, Lilian needs to look honestly at herself, which gives the film a deeper resonance than we expect. And it's ultimately both chilling and charming." Rich Cline, Shadows on the Wall
Preceded by the 2026 Osprey Audience Award Winner
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